
Who Was Antonio Paoli?
Antonio Paoli was the most important tenor in all of Puerto Rico's musical history. He was born on April 14, 1871, and lived in what is now the Casa Paoli until the age of twelve. Paoli died in San Juan on August 24, 1946. His remains rest, along with that of his companion, Adina Bonini, in Ponce's Ramón Baldorioty de Castro Mausoleum of Illustrious Men.
Most of his siblings, notably the mezzo-soprano Amalia Paoli and the women's rights activist, Olivia Paoli, also lived with Antonio in this beautiful edifice.
Antonio was the first tenor in the world to record a complete opera, Pagliacci, in 1907. It was composed by the Italian composer Ruggiero Leoncavallo, who chose the tenor based on his great talent. Amalia also had an impressive career as a singer of opera and zarzuela (Spanish light opera), which led her, like her brother, to perform on the world's great stages. His brother, Carlos, was Military Deputy Governor in the Philippines and another brother, Manuel, was a prominent cultural impresario and businessman, as well as an admirable personal secretary to his beloved siblings Antonio and Amalia.
His sister, Olivia, was one of the founders of the Puerto Rican Women's League and consistently supported the work of her husband, the journalist and autonomist leader Mario Braschi Rodríguez, who died in the Casa Paoli in the arms of the Puerto Rican patriot and political patriarch Luis Muñoz Rivera. Olivia and Mario were frequently visited by such celebrities in the fields of politics, letters, and the arts, as Román Baldorioty de Castro, José Celso Barbosa, Pedro Albizu Campos, Juan Morel Campos, Manuel G. Tavarez, and Ramon Marín, among other thought leaders of the country. One of Mario's sons, known as Juan Braschi, was an important journalist who wrote for the newspaper El Día and was acting director of the newspaper La Correspondencia de Puerto Rico.
Enjoy this brochure designed by Verónica I. Prats on the life and times of Antonio Paoli in its entirety by sliding each page upwards with your mouse.
Brochure Notes
Page 10: Manuel Paoli Marcano, his wife Elisa Abril and his daughter Blanca Paoli.
Pages 1, 7, 14: Antonio Paoli, in business suit, 1906.
Page 8: Drawing of Amalia Paoli by Walter Torres, 2005.
Page 17: Reading room Dr. Fernando Padilla Lugo.
Page 23: Digital sketch of Casa Paoli, 2009: Luis M. Iriarte, QEPD.
Page 27: Digital poster designed by Rafael Rivera Rosa, 2021.
Page 28: Digital poster (detail) designed by Felipe Cuchi, 2006.
Page 48: Antonio Paoli, boxer, 1917. Olivia Paoli Marcano, widow of Mario Braschi, c. 1900. Engraving by Poli Marichal, 2021.
Page 49: Antonio Paoli, in business suit, 1921. (Also on page 7.) Antonio Paoli, when a student at El Escorial, Madrid, c. 1885.
Page 12: Oil painting by an unknown artist, Paris, for the premiere of the opera William Tell by Gioachino Rossini. Donated to the Centro de Bellas Artes by Jesus M. Lopez.

Paoli used postcards with his image as advertising and gave them as gifts to his fans and friends.

Postcard with photograph of Antonio Paoli in a business suit taken in Italy, c. 1908. It was published on the cover of the period's important magazine, Il Teatro Ilustrado (May 1908), which is why he dedicated it to Signor Jacques Salam, Berlin, Germany (February 20, 1913).
This appears to be new information because Jesús M. Lopez indicates in his book Antonio Paoli: El León de Ponce (1997) that our tenor only sang in Germany in 1911 and 1914. This photo reveals that Paoli also sang in Berlin in 1913.

Postcard with a photograph of Antonio Paoli on tour in Russia in 1905. The card is part of the Center's collection.
Additional links
Essay: Antonio Paoli and his love for his country
Read this profile by his nephew, Wilfredo Braschi, an intimate portrait of the fiery personality of the great and eccentric artist.
Biography and career of the King of Tenors and Tenor of Kings: Antonio Paoli by the director of the Center.
Nestor Murray-Irizarry discusses the controversies that surrounded Paoli in Ponce and proof of his love for Puerto Rico.
See our page dedicated to the famous Puerto Rican singer, Amalia Paoli, sister of Antonio Paoli.
Conversation with our director, Nestor Murray-Irizarry.
Video: Paoli's Life and Career
See the 1991 documentary on the life of Antonio Paoli, sponsored by Casa Paoli and the Institute of Puerto Rican Culture. Digitized from a rediscovered cassette.
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Friends and contemporary artists of Antonio Paoli


Italian baritone (1887-1953). One of the great operatic baritones of his time. Known as the "Voice of the Lion".

Notes on a great Puerto Rican soprano can be found HERE.
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World famous Catalan lyrical tenor
(1887-1974).
Antonio Paoli Marcano
Tenor of Kings and King of Tenors
April 14, 1871 marks the date of Antonio Paoli's birth in the city of Ponce.
When his mother died, his sister Amalia decided to settle in Madrid with her younger siblings, in order to offer them a better future. Antonio was granted a scholarship by Queen María Cristina of Habsburg to study at the Royal College of San Lorenzo del Escorial after which he entered the Toledo Military Academy.
His military career failed to divert him from his interest in music. He sang as a soloist in various concerts throughout Spain and Portugal and in 1896, he received another scholarship and traveled to Italy to study singing. The Spanish court delighted in his interpretations that gradually became among the best in the world.
It was M. Gallard, director of the Grand Opera, who gave Antonio Paoli the opportunity to debut in Paris, where Rossini's opera William Tell had not been performed in quite some time. Paoli's performance as William was so successful that he performed it on four other occasions. From that moment, the greatest stages in Europe demanded his presence and he became as famous as Francesco Tamagno, whom he greatly admired.
His dreams began to come true in 1899, when he debuted in the role of Arnold, also in William Tell, at the Paris Opera. With this successful debut, Paoli began a triumphant career on the best stages in Europe, Asia, Africa, and America. From 1900 to 1914, he moved incessantly from one stage to another; from one city to another, from one country to another, and from continent to continent. Paoli received many honors and distinctions during his long artistic career.
Critics hailed him as "the best tenor in the world" after his performance in 1908 at the Politeama theater in Bologna. There, he also performed the opera Lohengrin with his sister Amalia.
In 1910, at La Scala in Milan, he received an award that confirmed his magnificent talents as a tenor: he was declared primo tenore. There, he performed the operas Samson and Delilah and L'Africaine.
His powerful and dramatic tenor voice was accompanied by an exceptional personality, an incredible stage presence, and a noble and generous heart.
Paoli was tall, with blue eyes and dark curly hair and was an elegant dresser. Verdi's Otello was also known as “Paoli's Otello,” for his extraordinary interpretation of the character. Many scholars of Shakespeare's play only attended the last act, to witness his impeccable characterization of Othello's death.
Antonio Paoli sang with the greatest singers of his time. In 1910, he was already the dramatic tenor in highest demand in Europe, and the highest paid. He was the first tenor in the world to record a complete opera: Pagliacci (1907) by R. Leoncavallo.
In 1900, he married a young Austrian woman named Josefina Vetiska in Vienna. Upon returning to Puerto Rico in 1901, on a honeymoon trip, he sang a concert in the Cathedral of San Juan and another in the Cathedral of Our Lady of Guadalupe in Ponce. He also performed in Venezuela, Cuba, Mexico, Central America, and New York. When he returned to Italy, he bought a villa in Porto Ceresio, Lugano, where his son, Antonio Arnaldo (Tonino), was born. However, his wife fell ill and remained bedridden for twenty years, which was the cause of great sadness for the tenor.
World War I brought an unexpected change to his life, forcing him to move from the artistic to the sports scene. In 1916, he moved with his family to London and began training as a boxer. In this new profession, he won five fights, but lost his most precious possession: his voice. Due to a fracture in his right arm, he withdrew from the ring. He decided to get medical help to get his voice back. Therefore, he traveled to Milan to be treated by a laryngologist.
To everyone's amazement, he returned to the stage with a voice stronger and more powerful than before. Thus began the second stage of his career, which would take him again throughout Europe and America.
In 1920, his wife died. A year later, he took up with the Italian Adelaida Bonini, whom he called Adina.
He returned to his homeland in 1922. Together with his sister Amalia Paoli, he established a singing school. In 1946, he became ill with cancer and died at the age of 75.

Fascinating photograph of the renowned Puerto Rican tenor Antonio Paoli when he was studying at the Royal College of El Escorial, Madrid (Spain) and could not imagine the resounding triumphs that his glorious artistic career would bring him.

Antonio Paoli in 1921 at the age of 50.


Sword and other accessories used by Antonio Paoli in the role of Radames in G. Verdi's opera Aida.
Helmet worn by Antonio Paoli as Vasco da Gama in Meyerbeer's opera L'Africaine. Paoli sang this opera twenty-one times.


Poster (1921) announcing Antonio Paoli's performance as Othello at the Teatro Costanzi, now the Rome Opera House in Italy. This type of poster was screen-printed and affixed to the large billboards that were commonly placed at either end of theaters at that time.
The dagger or knife that Antonio Paoli used in the role of Othello in Verdi's opera of the same name. Paoli played Othello 575 times.






